List of works by Titian
This incomplete list of works by Titian contains representative portraits and mythological and religious works from a large oeuvre that spanned 70 years. (Titian left relatively few drawings.) Painting titles and dates often vary by source.
List of works by year
Image | Title | Date | Dimensions | Collection |
---|---|---|---|---|
Detroit Trio (The Appeal) | c. 1500 | 84.5 x 69.2 cm | Detroit Institute of Arts (Detroit). Also attributed to Giorgione and Sebastiano del Piombo | |
Christ Carrying the Cross | 1505 | 68.2 × 88.3 cm | Scuola Grande di San Rocco (Venice). Also attributed to Giorgione.[1] | |
Madonna and Child (Bache Madonna) | c. 1508 | 45 × 55 cm | Metropolitan Museum of Art (New York) | |
Flight into Egypt | c. 1508 | 206 × 336 cm | Hermitage Museum (Saint Petersburg) | |
Christ and the Adulteress | c. 1508–1510 | 139.3 × 181.7 cm | Kelvingrove Art Gallery and Museum (Glasgow) | |
Portrait of a Man (A Man with a Quilted Sleeve) | c. 1508–1510 | 81.2 × 66.3 cm | National Gallery (London) | |
Portrait of a Lady (La Schiavona) | c. 1509–1510 | 117 × 97 cm | National Gallery (London) | |
Pastoral Concert | c. 1510 | 118 × 138 cm | Louvre (Paris)[2] | |
Portrait of a Man in a Red Cap | c. 1510 | 82 × 71 cm | Frick Collection (New York) | |
The Lovers | c. 1510 | 74.5 x 65.2 cm | Royal Collection (Windsor). Attributed to Titian | |
St. Mark Enthroned | 1510/11 | 218 × 149 cm | Santa Maria della Salute (Venice) | |
The Jealous Husband | 1511 | 340 × 207 cm | Scuola di Sant'Antonio, Padua | |
Miracle of the Irascible Son | 1511 | 340 × 207 cm | Scuola di Sant'Antonio, Padua | |
Miracle of the Newborn Infant | 1511 | 340 × 355 cm | Scuola di Sant'Antonio, Padua | |
Noli me tangere | c. 1511–1515 | 109 × 91 cm | National Gallery (London) | |
Woman with a Mirror | c. 1511–1515 | 96 × 76 cm | Louvre (Paris) | |
The Three Ages of Man | c. 1512 | 106 × 182 cm | National Gallery of Scotland (Edinburgh) | |
Madonna and Child ("The Gypsy Madonna") | c. 1512 | 65.8 × 83.8 cm | Kunsthistorisches Museum (Vienna) | |
Baptism of Christ | c. 1512 | 115 × 89 cm | Capitoline Museums (Rome) | |
Balbi Holy Conversation (Madonna and Child with Sts. Catherine and Dominic and a Donor | c. 1512-1514 | 130 × 185 cm | Fondazione Magnani-Rocca, Traversetolo | |
The Archangel Raphael and Tobias | c. 1512-1514 | 170 × 146 cm | Gallerie dell'Accademia (Venice) | |
Portrait of Jacopo Sannazaro | c. 1514–1518 | 85.7 × 72.7 cm | Royal Collection, United Kingdom | |
Flora | c. 1515 | 79 × 63 cm | Uffizi (Florence) | |
Portrait of the Physician Gian Giacomo Bartolotti da Parma | c. 1515 | 88 × 75 cm | Kunsthistorisches Museum (Vienna) | |
Portrait of a Man | c. 1515 | 50 × 45 cm | Metropolitan Museum of Art (New York) | |
Salome | c. 1515 | 90 × 72 cm | Doria Pamphilj Gallery (Rome) | |
Kirschenmadonna | c. 1515 | 81 × 99.5 cm | Kunsthistorisches Museum (Vienna) | |
Vanity | c. 1515 | 97 × 81 cm | Alte Pinakothek (Munich) | |
Violante | c. 1515–1516 | 64.5 × 51 cm | Kunsthistorisches Museum (Vienna) | |
Lucretia and her Husband (or Tarquin and Lucretia, and possibly by Palma Vecchio) | c. 1515–1520 | 82 × 68 cm | Kunsthistorisches Museum (Vienna) | |
An Unknown Man in a Black Plumed Hat | c. 1515–1520 | 70.5 × 63 cm | Petworth House, National Trust (Petworth) | |
Sacred and Profane Love | c. 1515–1516 | 118 × 279 cm | Galleria Borghese (Rome) | |
The Tribute Money | c. 1516 | 75 × 56 cm | Gemäldegalerie Alte Meister, Dresden | |
Assumption of the Virgin | c. 1516–1518 | 690 × 360 cm | Basilica di Santa Maria Gloriosa dei Frari (Venice) | |
The Virgin and Child with Saint George and Saint Dorothy | c. 1516 | 86 × 130 cm | Prado Museum (Madrid) | |
Virgin and Child with Saint John the Baptist and an Unidentified Saint | c. 1515–1520 | 62.7 x 93 cm | Bridgewater House (Westminster), on loan to the Scottish National Gallery | |
The Bacchanal of the Andrians | c. 1518–1519 | 175 × 193 cm | Museo del Prado (Madrid) | |
The Worship of Venus | 1518–1520 | 172 × 175 cm | Museo del Prado (Madrid) | |
Malchiostro Annunciation | c. 1520 | 210 × 176 cm | Duomo, Treviso | |
Christ and the Adulteress | c. 1520 | 82.5 × 136.5 cm | Kunsthistorisches Museum (Vienna) | |
Virgin and Child with Saint Stephen, Saint Jerome and Saint Maurice | c. 1510–1525 | 112.5 × 143.2 cm | Louvre (Paris) | |
Mary with Child and Saints Stephen, Jerome and Mauritius | c. 1520 | 93.3 × 138.2 cm | Kunsthistorisches Museum (Vienna) | |
Portrait of Vincenzo Mosti | c. 1520 | 85 × 67 cm | Galleria Palatina, Florence | |
Gozzi Altarpiece | 1520 | 312 × 215 cm | Pinacoteca civica Francesco Podesti, Ancona | |
Averoldi Polyptych | c. 1520–1522 | 278 × 292 cm | Church of Santi Nazaro e Celso (Brescia) | |
Venus Anadyomene | c. 1520 | 73.6 × 58.4 cm | National Gallery of Scotland (Edinburgh) | |
Center panel of the Altarpiece of the Resurrection (the Averoldi Polyptych) | c. 1520–1522 | 278 × 122 cm | Santi Nazaro e Celso (Brescia) | |
Bacchus and Ariadne | c. 1522–1523 | 175 × 190 cm | National Gallery (London) | |
Man with a Glove | c. 1520–1523 | 100 × 89 cm | Louvre (Paris) | |
The Entombment | c. 1523–1525 | 148 × 225 cm | Louvre (Paris) | |
Pesaro Madonna | c. 1519–1526 | 478 × 268 cm | Basilica di Santa Maria Gloriosa dei Frari (Venice) | |
Portrait of Federico II Gonzaga | c. 1525–1528 | 125 × 99 cm | Museo del Prado (Madrid) | |
Madonna and Child with Saint Catherine and a Rabbit | 1530 | 71 × 85 cm | Louvre (Paris) | |
Portrait of Giacomo di Andrea Dolfin | c. 1531–1532 | 101 × 88 cm | Los Angeles County Museum of Art (LACMA) | |
Portrait of a Venetian Nobleman | after 1530 | 108.0 cm × 91.4 cm | Norton Simon Museum (Pasadena) | |
Portrait of Ippolito de' Medici | 1532–1533 | 139 x 107 cm | Palazzo Pitti (Florence) | |
Madonna and Child with Saint John the Baptist and Saint Catherine (The Aldobrandini Madonna) | c. 1532 | 100.6 × 142.2 cm | National Gallery (London) | |
Portrait of Charles V with a Dog | c. 1532–1533 | 192 × 111 cm | Museo del Prado (Madrid) | |
The Penitent Magdalene | c. 1531–1533 | 85 × 68 cm | Palazzo Pitti (Florence) | |
The Presentation of the Virgin at the Temple | c. 1534–1538 | 345 x 775 cm | Gallerie dell'Accademia (Venice) | |
Portrait of a Lady | c. 1525–1565 | 63.5 x 51.8 cm | Art Institute of Chicago (Chicago) | |
Portrait of Giulia Gonzaga | c. 1530–1539 | 92 x 81 cm | Private collection (Italy) | |
Portrait of Isabella d'Este | c. 1534–1536 | 102 × 64 cm | Kunsthistorisches Museum (Vienna) | |
Girl in a Fur | c. 1535 | 95 × 63 cm | Kunsthistorisches Museum (Vienna) | |
Pilgrims at Emmaus | c. 1533–1534 | 169 × 244 cm | Louvre (Paris) | |
Supper at Emmaus | c. 1534 | 169 × 211 cm | Walker Art Gallery (Liverpool) | |
Supper at Emmaus | c. 1545 | 163 × 200 cm | National Gallery of Ireland (Dublin) | |
La Bella | 1536 | 100 × 75 cm | Palazzo Pitti (Florence) | |
Portrait of a Young Woman with Feather Hat | c. 1536 | 97 × 75 cm | Hermitage Museum (Saint Petersburg) | |
Allegory of Marriage | c. 1530–1535 | 123 × 107 cm | Louvre (Paris) | |
Portrait of Francesco Maria I della Rovere, Duke of Urbino | c. 1536–1538 | 114.3 × 100 cm | Uffizi (Florence) | |
Portrait of Pietro Aretino | c. 1537 | 102 × 86 cm | Frick Collection (New York City) | |
Portrait of a Man with a Falcon | c. 1537 | 109 × 94 cm | Joslyn Art Museum (Omaha) | |
Portrait of Eleonora Gonzaga della Rovere | 1538 | 114 × 102.2 cm | Uffizi (Florence) | |
Venus of Urbino | 1538 | 119 × 165 cm | Uffizi (Florence) | |
Portrait of Count Antonio Porcia and Brugnera | c. 1535–1540 | 115 × 93 cm | Pinacoteca di Brera (Milan) | |
Portrait of Benedetto Varchi | c. 1536–1540 | 119.3 × 92.7 cm | Kunsthistorisches Museum (Vienna) | |
Portrait of Cardinal Pietro Bembo | 1540 | 94.3 × 76.5 cm | National Gallery of Art (Washington, D.C.) | |
Portrait of Doge Andrea Gritti | c. 1546–1550 | 133.3 × 103.2 cm | National Gallery of Art (Washington, D.C.) | |
Portrait of Pope Sixtus IV | c. 1540 | 109.5 × 87 cm | Uffizi (Florence) | |
Sciarra Madonna | c. 1540 | Museu Nacional d'Art de Catalunya | ||
Alfonso d'Avalos Addressing his Troops | c. 1540–1541 | 223 × 165 cm | Museo del Prado (Madrid) | |
Tobias and the Angel | c. 1540–1545 | 200 × 140 cm | Madonna dell'Orto, Venice | |
Portrait of Clarissa Strozzi | 1542 | 115 × 98 cm | Gemäldegalerie, Berlin | |
The Crowning with Thorns | c. 1542–1544 | 303 × 180 cm | Louvre (Paris) | |
Last Supper | c. 1542–1544 | 163 × 104 cm | Urbino | |
Portrait of a Young Englishman | c. 1540–1545 | 111 × 93 cm | Palazzo Pitti (Florence) | |
Portrait of Ranuccio Farnese | 1542 | 89.7 × 73.6 cm | National Gallery of Art (Washington, D.C.) | |
Portrait of Pope Paul III | 1543 | 108 × 80 cm | Museo di Capodimonte (Naples) | |
Ecce Homo | 1543 | 242 × 361 cm | Kunsthistorisches Museum (Vienna) | |
Cain Slaying Abel | 1543–44 | 292.1 × 280.0 cm | Santa Maria della Salute (Venice) | |
David and Goliath | 1543–44 | 292.1 × 281.9 cm | Santa Maria della Salute (Venice) | |
Abraham and Isaac | 1542–44 | 328 cm × 285 cm | Santa Maria della Salute (Venice) | |
Portrait of Pietro Aretino | c. 1545 | 98 × 78 cm | Palazzo Pitti (Florence) | |
Portrait of Cardinal Alessandro Farnese | c.1545-1546 | Museo di Capodimonte (Naples) | ||
Pope Paul III and his Grandsons | 1546 | 210 × 174 cm | Museo di Capodimonte (Naples) | |
Danaë (one of at least four versions) | 1546 | 120 × 172 cm | Museo di Capodimonte (Naples) | |
Portrait of the Vendramin Family | 1547 | 206 × 301 cm | National Gallery (London) | |
Equestrian Portrait of Charles V | 1548 | 332 × 279 cm | Museo del Prado (Madrid) | |
Portrait of Charles V Seated | 1548 | 205 × 122 cm | Alte Pinakothek (Munich) | |
Portrait of Isabella of Portugal | 1548 | 117 × 93 cm | Museo del Prado (Madrid) | |
Venus and Musician | 1548 | 148 × 217 cm | Museo del Prado (Madrid) | |
John Frederick I, Elector of Saxony in Armour | 1548 | 129 × 93 cm | Museo del Prado (Madrid) | |
Tityus | 1549 | 253 × 217 cm | Museo del Prado (Madrid) | |
Sisyphus | 1549 | 237 × 216 cm | Museo del Prado (Madrid) | |
Saint John the Almoner | c. 1549 | 229 × 156 cm | San Giovanni Elemosinario (Venice) | |
The Fall of Man | c. 1550 | 240 × 186 cm | Museo del Prado (Madrid) | |
Mater Dolorosa | 1550 | 68 × 61 cm | Museo del Prado (Madrid) | |
Portrait of John Frederick I, Elector of Saxony | 1550–51 | 103.5 × 83 cm | Kunsthistorisches Museum (Vienna) | |
Portrait of a Lady and her Daughter | c.1550 | 88 × 80,7 cm | Rubenshuis (Antwerp) | |
Venus with an Organist | c. 1550 | 115 × 280 cm | Gemäldegalerie, Berlin | |
Mars, Venus and Amor | c. 1550 | 97 x 109 cm | Kunsthistorisches Museum (Vienna) | |
Knight of Malta with a watch | c. 1550 | 122 × 101 cm | Museo del Prado (Madrid) | |
Penitent Magdalene | c. 1550 | Museo di Capodimonte (Naples) | ||
Saint Jerome in Penitence | 1550–1560 | 255 × 125 cm | Pinacoteca di Brera (Milan) | |
Portrait of Philip II in Armour | 1551 | 193 × 111 cm | Museo del Prado (Madrid) | |
Portrait of Cardinal Cristoforo Madruzzo | 1552 | 230 x 131 cm | São Paulo Museum of Art (São Paulo) | |
The Holy Trinity (La Gloria) | 1551–1554 | 346 × 240 cm | Museo del Prado (Madrid) | |
Venus and Adonis - many different versions, with varying contributions by Titian himself. See ones in New York and Rome below. | 1553–1554 | 186 × 207 cm | Museo del Prado (Madrid) | |
Mater Dolorosa with Open Hands | 1554 | 68 × 53 cm | Museo del Prado (Madrid) | |
Christ Appearing to his Mother after his Resurrection | 1554 | |||
Woman Holding an Apple | c. 1550–1555 | 97.8 × 73.8 cm | National Gallery of Art (Washington, D.C.) | |
Danaë and the Shower of Gold | 1554 | 128 × 178 cm | Museo del Prado (Madrid) | |
Perseus and Andromeda | c. 1554–1556 | 175 × 189.5 cm | The Wallace Collection (London) | |
Portrait of Philip II | c. 1554 | Museo di Capodimonte (Naples) | ||
Portrait of Queen Christina of Denmark | c. 1555–1556 | 112 × 83 cm | National Museum of Serbia (Belgrade) | |
Venus with a Mirror | c. 1555 | 124.5 × 105.5 cm | National Gallery of Art (Washington, D.C.) | |
Venus and Adonis - many different versions, with varying contributions by Titian himself. See one in the Prado above, and in Rome below. | c. 1555 | 106 × 133 cm | Metropolitan Museum of Art (New York) | |
Filippo Archinto, Archbishop of Milan | c. 1555 | 118 × 94 cm | Metropolitan Museum of Art (New York) | |
Venus and the Lute Player | c. 1555–1565 | 150 × 196 cm | Fitzwilliam Museum (Cambridge) | |
Diana and Actaeon | 1556–1559 | 190.3 × 207 cm | National Gallery (London)/ National Gallery of Scotland (Edinburgh) | |
Portrait of Fabrizio Salvaresio | 1558 | 112 × 88 cm | Kunsthistorisches Museum (Vienna) | |
Crucifixion | 1558 | 371 × 197 cm | Church of San Domenico, Ancona | |
The Martyrdom of Saint Lawrence | 1559 | 500 × 280 cm | I Gesuiti (Venice) | |
Diana and Callisto | 1559 | 187 × 205 cm | National Gallery (London) / National Gallery of Scotland (Edinburgh) | |
The Entombment | 1559 | 137 × 175 cm | Museo del Prado (Madrid) | |
The Rape of Europa | 1559–1562 | 185 × 205 cm | Isabella Stewart Gardner Museum (Boston) | |
Annunciation | 1559–1564 | 410 × 240 cm | San Salvador (Venice) | |
The Death of Actaeon | c. 1559–1575 | 178.4 × 198.1 cm | National Gallery (London) | |
Salome | c. 1560 | 87 × 80 cm | Museo del Prado (Madrid) | |
Girl with a Platter of Fruit | c. 1558 | 102 x 82 cm | Gemäldegalerie (Berlin) | |
Venus and Adonis - many different versions, with varying contributions by Titian himself. See ones in the Prado and New York above. | c. 1560 | 187 × 184 cm | Galleria Nazionale d'Arte Antica (Rome) | |
Madonna and Child with Saints Luke and Catherine of Alexandria | c. 1560 | 127.8 × 169.7 cm | (Bought by a private bidder on 28 January 2011) | |
Self-portrait | c. 1560–1562 | 96 × 72 cm | Gemäldegalerie, Berlin | |
The Tribute Money | c. 1560–1568 | 112.2 x 103.2 cm | National Gallery (London) | |
The Penitent Magdalene | c. 1565 | 118 × 97 cm | Hermitage Museum (Saint Petersburg) | |
Saint Dominic | c. 1565 | 97 × 80 cm | Galleria Borghese, Rome | |
Allegory of Prudence | c. 1565–1570 | 76.2 × 68.6 cm | National Gallery (London) | |
Venus and a Lute Player | c. 1565-1570 | 165 × 209 cm | Metropolitan Museum of Art (New York) | |
The Entombment | 1566 | 130 × 168 cm | Museo del Prado (Madrid) | |
Self-portrait | c. 1567 | 86 × 65 cm | Museo del Prado (Madrid) | |
Portrait of Jacopo Strada | c. 1567–1568 | 125 × 95 cm | Kunsthistorisches Museum (Vienna) | |
Judith with the Head of Holofernes | c. 1570 | 113 × 95.3 cm | Detroit Institute of Arts | |
Salome | c. 1570 | 114 × 96 cm | Private collection | |
Salome | c. 1560–1570 | 90 × 83.3 cm | National Museum of Western Art (Tokyo). Attributed to Titian and workshop | |
Tarquin and Lucretia | 1571 | 189 × 145 cm | Fitzwilliam Museum (Cambridge) | |
Punishment of Marsyas | c. 1570-1576 | 212 × 207 cm | National Museum, Kroměříž, Czech Republic | |
Nymph and Shepherd | c. 1570–1576 | 149.7 × 187 cm | Kunsthistorisches Museum (Vienna) | |
Pietà | c. 1570–1576 | 351 × 389 cm | Accademia (Venice) | |
The Crowning with Thorns | c. 1570–1576 | 280 × 181 cm | Alte Pinakothek (Munich) |
References
Wikimedia Commons has media related to Titian.
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- List of works
- Jacopo Pesaro being presented by Pope Alexander VI to Saint Peter (1503–1506)
- A Man with a Quilted Sleeve (c. 1509)
- La Schiavona (1510–1512)
- A Man
- New York, c. 1512)
- (Indianapolis, c. 1515
- Shepherd with a Flute (c. 1510–1515)
- A Man in a Red Cap (c. 1510–1515)
- A Sick Man (1515)
- Jacopo Sannazaro (c. 1514–1518)
- Gian Giacomo Bartolotti da Parma (c. 1515)
- A Knight of Malta (c. 1515)
- Vincenzo Mosti (c. 1520)
- Young Woman in a Black Dress (c. 1520)
- Man with a Glove (c. 1520)
- Laura Dianti (c. 1520–1525)
- Alfonso I d'Este (1523)
- A Lady (c. 1525–1565)
- Federico II Gonzaga (c. 1529)
- Giacomo di Andrea Dolfin (c. 1531–1532)
- Alfonso d'Avalos with a Page (1533)
- Charles V with a Dog (1533)
- Ippolito de' Medici (1532–1533)
- Giacomo Doria (1533–1535)
- Charles V (1533–1535)
- Isabella d'Este (1534–1536)
- La Bella (1536)
- Girl in a Fur (1536–1538)
- Count Antonio Porcia and Brugnera (c. 1535–1540)
- A Man with a Falcon (c. 1537)
- Eleonora Gonzaga della Rovere (1538)
- Francesco Maria della Rovere (1538)
- Cardinal Pietro Bembo (1539–1540)
- Benedetto Varchi (c. 1540)
- Pope Sixtus IV (c. 1540)
- A Young Englishman (1540–1545)
- Ranuccio Farnese (c. 1542)
- Clarissa Strozzi (1542)
- The Vendramin Family (1543–1547)
- Pietro Aretino (1545)
- Lavinia Vecellio (c. 1545)
- Pope Paul III (1545–1546)
- Pope Paul III Wearing a Camauro (1545–1546)
- Pope Paul III and His Grandsons (1545–1546)
- Cardinal Alessandro Farnese (c. 1545–1546)
- Pier Luigi Farnese (1546)
- Andrea Gritti (c. 1546–1550)
- Charles V (on horseback) (1548)
- Charles V (seated) (1548)
- Isabella of Portugal (1548)
- John Frederick I, Elector of Saxony (c. 1550–1551)
- A General (c. 1550)
- Philip II in Armour (1551)
- Cardinal Cristoforo Madruzzo (1552)
- Philip II (1554)
- Woman Holding an Apple (c. 1550–1555)
- Christina of Denmark (1555–1556)
- Girl with a Platter of Fruit (c. 1555–1558)
- Fabrizio Salvaresio (1558)
- An Unknown Lady (c. 1550–1560 – also attributed to Titian's workshop)
- Jacopo Strada (1567–1568)
- A Lady in White (c. 1561)
- Self-Portrait (1546–1547)
- Self-Portrait (c. 1560)
- Detroit Trio (c. 1500 – also attributed to Giorgione and others)
- The Birth of Adonis (c. 1506–1508)
- The Legend of Polydoros (c. 1506–1508)
- Justice (c. 1508)
- Pastoral Concert (c. 1509 – also attributed to Giorgione)
- Dresden Venus (with Giorgione, c. 1510)
- The Lovers (c. 1510 – attributed)
- The Three Ages of Man (c. 1512–1514)
- Sacred and Profane Love (c. 1514)
- The Feast of the Gods (1514)
- Venus and Cupid (1510–1515)
- Lucretia and her Husband (1515)
- The Bravo (c. 1515)
- Flora (c. 1515)
- Vanity (c. 1515)
- Violante (c. 1515)
- Woman with a Mirror (c. 1515)
- The Worship of Venus (1518–19)
- Venus Anadyomene (c. 1520)
- Bacchus and Ariadne (1520–1523)
- The Bacchanal of the Andrians (1523–1526)
- Allegory of Marriage (c. 1530–1535)
- Eleven Caesars (1536–1540)
- Venus of Urbino (1538)
- Alfonso d'Avalos Addressing his Troops (1540)
- Venus and Musician (several versions, 1540s–1570s)
- Tityus (1549)
- Sisyphus (1549)
- Danaë (several versions; 1543–1565)
- Venus and Adonis (several versions)
- Mars, Venus and Amor (c. 1550)
- Pardo Venus (1551)
- Venus with a Mirror (1555)
- Perseus and Andromeda (1554–1556)
- Diana and Actaeon (1556–1559)
- Diana and Callisto (1556–1559)
- The Death of Actaeon (c. 1559–1575)
- The Rape of Europa (c. 1560–1562)
- The Concert (c. 1543–1564)
- Venus Blindfolding Cupid (c. 1565)
- Allegory of Prudence (c. 1565–1570)
- Nymph and Shepherd (c. 1570)
- Tarquin and Lucretia (comp. 1571)
- Flaying of Marsyas (1570–1576)
- Christ Carrying the Cross (c. 1505 – also attributed to Giorgione)
- Bache Madonna (c. 1508)
- Flight into Egypt (c. 1508)
- Lochis Madonna (1508–1510)
- Saint Mark Enthroned (c. 1510)
- The Gypsy Madonna (c. 1510)
- Holy Family with a Shepherd (c. 1510)
- Christ and the Adulteress
- Glasgow, c. 1510)
- (Vienna, c. 1520
- Virgin and Child Between Saints Anthony of Padua and Roch (c. 1511)
- The Resurrected Christ (c. 1511–12)
- Baptism of Christ (c. 1512)
- Virgin and Child with Saints Stephen, Jerome and Maurice (Paris; c. 1510–1525)
- Miracle of the Jealous Husband (1511)
- Rest on the Flight into Egypt (c. 1512)
- Balbi Holy Conversation (c. 1513)
- Noli me tangere (c. 1514)
- The Archangel Raphael and Tobias (c. 1512–1514; c. 1540–1545)
- Salome
- Rome, c. 1515)
- (Madrid, c. 1550)
- (Private, c. 1570
- Madonna of the Cherries (1515)
- The Tribute Money (c. 1516)
- Assumption of the Virgin (1516–1518)
- The Virgin and Child with Saint George and Saint Dorothy (1516–1518)
- Virgin and Child with Saint John the Baptist and an Unidentified Saint (c. 1515–1520)
- Madonna and Child with Four Saints (c. 1516–1520)
- Pesaro Madonna (1519–1526)
- Virgin and Child with Saints Anthony Abbot, Jerome and Francis (c. 1519)
- Gozzi Altarpiece (1520)
- Virgin and Child with Saints Stephen, Jerome and Maurice (Vienna; c. 1520)
- Malchiostro Annunciation (c. 1520)
- The Entombment of Christ (c. 1520)
- Averoldi Polyptych (1520–1522)
- Saint Francis Receiving the Stigmata (1525)
- The Assassination of Saint Peter Martyr (1529)
- Aldobrandini Madonna (1530)
- Madonna of the Rabbit (1530)
- Madonna of the Roses (c. 1530)
- Penitent Magdalene (1531)
- Saint Jerome in Penitence (1531)
- Pilgrims at Emmaus (c. 1533–1534)
- Supper at Emmaus (c. 1534; c. 1545)
- The Presentation of the Virgin at the Temple (1534–1538)
- Saint John the Baptist (1540)
- Sciarra Madonna (c. 1540)
- The Crowning with Thorns (1542–43)
- Ecce Homo
- Vienna, 1543
- David and Goliath (c. 1542–1544)
- Abraham and Isaac (c. 1543–1544)
- Cain and Abel (c. 1543–1545)
- Serravalle Altarpiece (1548)
- Castello Roganzuolo Altarpiece (1549)
- The Fall of Man (c. 1550)
- Penitent Magdalene (c. 1550)
- Saint Jerome in Penitence (1552)
- The Martyrdom of Saint Lawrence (c. 1548–1559)
- La Gloria (1554)
- Christ Appearing to his Mother after his Resurrection (1554)
- Mater Dolorosa (c. 1555)
- Saint Jerome in Penitence (1575)
- Crucifixion (1558)
- The Entombment (1559)
- Saint Margaret and the Dragon (c. 1559)
- Annunciation (1559–1564)
- Madonna and Child with Saints Luke and Catherine of Alexandria (c. 1560)
- Penitent Magdalene (1565)
- Saint Dominic (c. 1565)
- Judith with the Head of Holofernes (c. 1570)
- Religion saved by Spain (1572–1575)
- Saint Sebastian (c. 1575)
- The Crowning with Thorns (1576)
- Pietà (1576)